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Why after 15 years of unconvincing tests, we now start using "synthetic" seals too.

The story begins in 1992, when we tried for the first time a hundred of silicon-based seals produced and used -at that time- only in the USA. Many other experiences and experiments followed, with seals of both italian and foreign manufacture; all of them were presented by companies convinced of having reached the technical perfection.
The problems we found were not about any transmission of a "synthetic" smell or taste to the wine, but the lack of the two great abilities of cork. Not to mention the esthetic and emotive impact.

So, cork has these two main abilities:
a) it keeps its elasticity and so the ability to preserve certain wines for 10/20 till 30 years and more
b) it allows a minimum but important permeability to the air, and this allows to important wine the slow maturation in the bottle.

We all know the other side of using cork, particularly when it happen to open a bottle with a clear defect, but you can find noticeable differences -after some months or years from bottling- between bottles sealed with even the same lot of cork: it's hard to get real consistence.
Cork comes now from averagely younger trees, sometimes grown in areas where it was missing since long ago: this implies a certain non homogeneity on the phisycal-technical-sanitary qualities of the lots; and no industry treatment can really fix this.

In truth, I met in Sardinia some extraordinary man who selecting from enormous racks of wood with very skilled hand-eyes-nose one slice of cork at a time, than makes with old time skills 5-600 corks per day, one by one... maybe when we'll produce some Magnum and a really great red wine, than I'll go there to get these corks, whose price is, or let say flies, easily over one euro a piece.

But what we need is to solve the everyday problems. The more precious and expensive is a bottle of wine, the more strong and legitimate is the customer's expectation of a gratifying consumption. And it's always a big disappointment, and a waste of money, to get a bottle ruined by a bad cork. It doesn't matter if it is because of the usual mold, an excessive oxydation or some bitter taste.

Three years ago happened our first encounter with the seals produced by Guala spa, a holding from Piedmont. Their product is indeed a bit complicate, and I suggest to visit their website ( www.gualaseal.com ) if you are willing to go deeper inside this technology. Anyway, this technical seal is calibrated on the best corks the market can offer, and is the result of years of serious experimentation. It still is something new in the italian market, but it's well known and used in France, particularly in Bordeaux and Burgundy.
Maybe it won't encounter everyone's taste, from an emotive point of view, but after nearly one hundred of blindly tasted wines - compared with the same sealed with classic cork, I can say I preferred the traditional one only in two cases, also after three years from bottling.
We think we found something good and worth to try. Anyway, we won't stop looking for alternatives.

Franco Zanovello
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Az. Agr. Ca' Lustra s.s. di Zanovello Franco, via San Pietro 50, Faedo di Cinto Euganeo (PD) 35030
P.I. 02684930288 - Tel. 0429 94128 - Fax 0429 644111 - email: info@calustra.it